Carole Fékété’s practice is essentially photographic, which has now expanded to include film, writing and installation. The diversity of the subjects she deals with is crossed by a constant preoccupation with the links between individual and collective memory and the elaboration of representation within the creative act. The medium itself is also the subject of creation and its plasticity is put to the test with each new proposal. The work as a whole constitutes a reserve of images and heterogeneous forms that are put together according to a principle of montage.
His work is exhibited in France and abroad, it is also present in public and private collections and has been the subject of various collective and monographic publications.